Monday, 16 May 2011
PXtoEM
Size always matters especially when you are going to choose appropriate font’s size for your new design. PXtoEM calculates conversions based on your body font size, offers special calculator for your custom needs and delivers CSS file for the style you have chosen.
Friday, 22 April 2011
The CSS Class Selector
The class selector is a general selector, meaning that it can be used multiple times within one document.
This selector can be used for all HTML elements that can be styled using cascading style sheets. The class selector start with a "." other than wenn it is used for a specific element.
The example below specifies a class "right" telling the HTML code to align the text to the right.
Example:
.right{
text-align: right;
}
HTML CODE
<p class="right">Text Aligned Right</p>
Where the HTML element has been specified it also tells the tag to align the text to the right.
Example:
p.right{
text-align: right;
}
HTML CODE
<p class="right">Text Aligned Right</p>
If we only need tag specific CSS syntax then our first example is not neccessary, but when we want a general classification that can be used for multiple elements then our first example is required. Our first example can be used for a wide range of tags:
Example:
HTML CODE
<h1 class="right">Headline Text Aligned Right</h1>
<p class="right">My Paragraph Text Aligned Right</p>
<span class="right">Text Aligned Right</span>
<div class="right">Text Aligned Right</div>
etc....
This selector can be used for all HTML elements that can be styled using cascading style sheets. The class selector start with a "." other than wenn it is used for a specific element.
The example below specifies a class "right" telling the HTML code to align the text to the right.
Example:
.right{
text-align: right;
}
HTML CODE
<p class="right">Text Aligned Right</p>
Where the HTML element has been specified it also tells the tag to align the text to the right.
Example:
p.right{
text-align: right;
}
HTML CODE
<p class="right">Text Aligned Right</p>
If we only need tag specific CSS syntax then our first example is not neccessary, but when we want a general classification that can be used for multiple elements then our first example is required. Our first example can be used for a wide range of tags:
Example:
HTML CODE
<h1 class="right">Headline Text Aligned Right</h1>
<p class="right">My Paragraph Text Aligned Right</p>
<span class="right">Text Aligned Right</span>
<div class="right">Text Aligned Right</div>
etc....
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Monday, 4 April 2011
20 Free Fonts You All Know from Music Industry Read more about Template Monster Blog - Part 7 by blog.templatemonster.com
Music is in the air and it means that we have another post from our free fonts series. As you may have guessed we compiled a collection of free fonts that would be a real treasure for all music fans (or designers that need to use famous fonts in their works). We all know that feeling when you want to have that font from the Nirvana album cover or AC/DC styled fonts on your blog. And we also know that music is one of the best sources of inspiration for many designers and developers. So given all that we thought these design freebies come in very handy for you guys. We would like to wish you Happy New Year and don’t forget to listen to your favorite music, be creative and seek the inspiration even in the everyday routine.
Thursday, 17 March 2011
Logo DesignMonday, 14 March 2011
Contact world leading website design company for following Graphic Design Services:
Contact world leading website design company for following Graphic Design Services:
Logo Design , Banner Design, Graphic Design, Flyer Design, Newsletter Design, CD Cover Design, Magazine Design
Illustration Design, Cartoon Design, Corporate Identity Design, HTML Newsletter Design, Business Card Design,
Advertisement Design, Flex Design, Hoarding Design.
Logo Design , Banner Design, Graphic Design, Flyer Design, Newsletter Design, CD Cover Design, Magazine Design
Illustration Design, Cartoon Design, Corporate Identity Design, HTML Newsletter Design, Business Card Design,
Advertisement Design, Flex Design, Hoarding Design.
Thursday, 24 February 2011
Website DesignGreatest Website Designs
Hans Holbein the Younger (c. 1497 [1] — between 7 October and 29 November 1543) was a German artist and printmaker who worked in a Northern Renaissance style. He is best known as one of the greatest portraitists of the 16th century.[2] He also produced religious art, satire and Reformation propaganda, and made a significant contribution to the history of book design. He is called "the Younger" to distinguish him from his father, Hans Holbein the Elder, an accomplished painter of the Late Gothic school.
Born in Augsburg, Holbein worked mainly in Basel as a young artist. At first he painted murals and religious works and designed for stained glass windows and printed books. He also painted the occasional portrait, making his international mark with portraits of the humanist Desiderius Erasmus of Rotterdam. When the Reformation reached Basel, Holbein worked for reformist clients while continuing to serve traditional religious patrons. His Late Gothic style was enriched by artistic trends in Italy, France, and the Netherlands, as well as by Renaissance Humanism. The result was a combined aesthetic uniquely his own.
Holbein travelled to England in 1526 in search of work, with a recommendation from Erasmus. He was welcomed into the humanist circle of Thomas More, where he quickly built a high reputation. After returning to Basel for four years, he resumed his career in England in 1532. This time he worked for the twin founts of patronage, Anne Boleyn and Thomas Cromwell. By 1535, he was King's Painter to King Henry VIII. In this role, he produced not only portraits and festive decorations but designs for jewellery, plate, and other precious objects. His portraits of the royal family and nobles are a vivid record of a brilliant court in the momentous years when Henry was asserting his supremacy over the English church.
Holbein's art was prized from early in his career. The French poet and reformer Nicholas Bourbon dubbed him "the Apelles of our time".[3] Holbein has also been described as a great "one-off" of art history, since he founded no school.[4] After his death, some of his work was lost, but much was collected, and by the 19th century, Holbein was recognised among the great portrait masters. Recent exhibitions have also highlighted his versatility. He turned his fluid line to designs ranging from intricate jewellery to monumental frescoes. Holbein's art has sometimes been called realist, since he drew and painted with a rare precision. His portraits were renowned in their time for their likeness; and it is through Holbein's eyes that many famous figures of his day, such as Erasmus and More, are now "seen". Holbein was never content, however, with outward appearance. He embedded layers of symbolism, allusion, and paradox in his art, to the lasting fascination of scholars. In the view of art historian Ellis Waterhouse, his portraiture "remains unsurpassed for sureness and economy of statement, penetration into character, and a combined richness and purity of style".[5]
Born in Augsburg, Holbein worked mainly in Basel as a young artist. At first he painted murals and religious works and designed for stained glass windows and printed books. He also painted the occasional portrait, making his international mark with portraits of the humanist Desiderius Erasmus of Rotterdam. When the Reformation reached Basel, Holbein worked for reformist clients while continuing to serve traditional religious patrons. His Late Gothic style was enriched by artistic trends in Italy, France, and the Netherlands, as well as by Renaissance Humanism. The result was a combined aesthetic uniquely his own.
Holbein travelled to England in 1526 in search of work, with a recommendation from Erasmus. He was welcomed into the humanist circle of Thomas More, where he quickly built a high reputation. After returning to Basel for four years, he resumed his career in England in 1532. This time he worked for the twin founts of patronage, Anne Boleyn and Thomas Cromwell. By 1535, he was King's Painter to King Henry VIII. In this role, he produced not only portraits and festive decorations but designs for jewellery, plate, and other precious objects. His portraits of the royal family and nobles are a vivid record of a brilliant court in the momentous years when Henry was asserting his supremacy over the English church.
Holbein's art was prized from early in his career. The French poet and reformer Nicholas Bourbon dubbed him "the Apelles of our time".[3] Holbein has also been described as a great "one-off" of art history, since he founded no school.[4] After his death, some of his work was lost, but much was collected, and by the 19th century, Holbein was recognised among the great portrait masters. Recent exhibitions have also highlighted his versatility. He turned his fluid line to designs ranging from intricate jewellery to monumental frescoes. Holbein's art has sometimes been called realist, since he drew and painted with a rare precision. His portraits were renowned in their time for their likeness; and it is through Holbein's eyes that many famous figures of his day, such as Erasmus and More, are now "seen". Holbein was never content, however, with outward appearance. He embedded layers of symbolism, allusion, and paradox in his art, to the lasting fascination of scholars. In the view of art historian Ellis Waterhouse, his portraiture "remains unsurpassed for sureness and economy of statement, penetration into character, and a combined richness and purity of style".[5]
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